William Gibson's Zero History is the third novel in the kind-of-trilogy Bigend Books. It recycles some characters, settings and ideas from Pattern Recognition and Spook Country and creates a new narrative within the 'Bigend Universe.'
This is the third Gibson novel I have read, after Pattern Recognition and Neuromancer, and I was expecting it to be as good as the other two. Unfortunately, I was not as blown away as I thought I was going to be. I was somewhat impressed, but there were quite a few things than annoyed me.
The most annoying was the ending. Not trying to give anything away, but Gibson seems to end his novels with a chapter or two tying all the loose ends up. I am not such a fan of this. I'm probably making a huge generalisation here, but I see it as a very American thing. Probably because of the 'Disneyfication' of movies, where the ending is always happy. This annoys me a lot. Zero History's ending is not as Disneyfied as Pattern Recognition, but it comes close. I think it's becuase of Gibson's habit of pairing characters off, something that I don't often feel convinced by.
Other than that, I did enjoy the book. I'm not entirely sure what genre to put it in, because I always expect a Gibson to be Science Fiction, which this isn't, but it still incorporates if not futuristic tech, then very present tech. Gibson's newer novels rely on present technology as a SF relies on speculative tech. I think I would call it an urban thriller, though the 'thriller' aspect of it is not so pronounced. Basically, it is an urban technological detectiveish thriller with bits of speculative fiction thrown in.
I love reading novels set in places where I have been, and when the characters in Zero History began talking about Melbourne, I was really hoping that at least part of the narrative would move to that wonderful coffee-scented city. I think Gibson's style of writing would suit Melbourne, his descriptions of cities are always poetic, fluid, and dead-on. I don't know if there are any scenes set in Melbourne in the novels of his I haven't read, but hopefully one day I will read a Gibsonised version of Melbourne.
Unfortunately I feel as if Gibson's writing will always be compared to Neuromancer, and in my opinion, Zero History is not as good. I had high hopes for Zero History, as I had been following Gibson's twitter during 2010 and had heard all the hype. I bought it at WorldCon that September, only a few days after it was released in Australia. But of course I didn't get around to reading it until late December. Overall, without comparing it to any other Gibson novels, it is a very clever and exciting novel. But I couldn't enjoy it enough to put Gibson's other novels I'd read out of my mind, and found myself constantly comparing it to Pattern Recognition, and couldn't help but hipsterly think 'I like his earlier work better.'
Next on my list is a book I bought at my favourite bookshop, Elizabeth's in Fremantle. It is Mark Gatiss' debut novel The Vesuvius Club. I don't know anything about it other than it is written by Mark Gatiss and it has a cool font on the cover.